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The Works

Nineteen houses. Six we still visit in our sleep.

Every commission is different land, different light, and a different family. What repeats is the temperament: dark timber, honest stone, warm glass, and rooms that hold still. A selection, told briefly. All details illustrative.

Low modern timber and glass house glowing warmly at the edge of a still, dark lake at dusk, its reflection mirrored in the water
Manzanita Cove, Bainbridge Island2025

Still Water House

A pavilion held one quiet foot above its own reflection. Charred cedar outside, warm fir within, and a room that ends where the water begins.

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Long single-story cedar and glass pavilion house lit from within, set among tall dark fir trees at dusk
Winslow Ridge, Bainbridge Island2023

Cedarline Pavilion

One long room under one long roof. A hundred feet of ridge, and not one tree taken that did not have to go.

Blackened timber courtyard house wrapped around a small reflecting pool, surrounded by moss and sword ferns in a dark forest
Port Madison, Bainbridge Island2022

Blackfern Court

A house that turns inward: three blackened wings around a court of still water, ferns, and rain you can watch from every room.

Modern glass and wood house on a rocky coastal bluff above dark water at dusk, distant islands on the horizon
Rolling Bay, Bainbridge Island2024

Madrona Bluff House

Board-formed concrete grips the bluff; glass does the rest. The last light on the Sound is the only artwork the great room needs.

Two-story timber house glowing like a lantern on a steep forested hillside, stone steps climbing toward it through ferns
Fletcher Bay, Bainbridge Island2021

Lantern Ridge

Built on a slope everyone else walked away from. Stone steps, a cantilevered corner, and a house that reads as a lantern from the bay.

Interior of a great room at dusk: a floor-to-ceiling dark basalt fireplace with a low fire, a leather chair, and a tall window onto forest and water
Eagle Harbor, Bainbridge Island2020

The Hearth Room

A single-room commission inside a 1974 waterfront house: one basalt chimney, one salvaged fir mantel, and a reason to stay home in November.

One Commission, Told in Full

How Still Water House came to rest

Most portfolios show you finished photographs. We would rather show you the decisions: the brief, the constraints the land imposed, and the craft that answered them. Still Water House is our nineteenth commission and the one we tell in full.

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Still Water House at dusk, a glowing timber pavilion reflected in the dark lake it sits beside
Commissions for 2027

Your land is the twentieth chapter

If you hold a piece of the Northwest that deserves better than a floor plan from a catalog, we should walk it together. Winter is the best season to see land honestly, and it is when our table clears.

Fictional demo. Enquiries are simulated; nothing is sent.